>New works
>New paintings/ All your landscapes map onto mine
>Recent monotypes/ The Peregrine
>Mixed media/ From a Studio Exchange
>Paintings & monotypes/ Borrowed from Nasmyth
>Paintings/ Borrowed from Nasmyth (from a section of sky)
>Monotypes/ A place for viewing
>Paintings/ Emergent View
>Paintings/ Backgrounds
>Photographs & paintings/ Sea
>Paintings/ Paper Landscapes
>Paintings/ Landscape pages
>Paintings/ Studies for Raeburn
>Paintings/ Horizon Studies
>New paintings/ All your landscapes map onto mine
>Recent monotypes/ The Peregrine
>Mixed media/ From a Studio Exchange
>Paintings & monotypes/ Borrowed from Nasmyth
>Paintings/ Borrowed from Nasmyth (from a section of sky)
>Monotypes/ A place for viewing
>Paintings/ Emergent View
>Paintings/ Backgrounds
>Photographs & paintings/ Sea
>Paintings/ Paper Landscapes
>Paintings/ Landscape pages
>Paintings/ Studies for Raeburn
>Paintings/ Horizon Studies
>Ambit 216 — On Landscape
>Borrowed from Nasmyth
>Emergent View/ exhibition catalogue
>Emergent View
>Fire Station Project
>Paper Landscapes/ exhibition catalogue
>Paper Landscapes
>Backgrounds
>Studies for Raeburn
>The Melancholy Thistle and Other Works
>Dance Everyday Dance
>Two
>Dances for Landseer
>an Magazine
>MAP #2
>she was still dancing
Writing
>Catterline in Focus
>Weaving Two Views
>Lines Lost
>No Foreign Land
>Borrowed from Nasmyth
>Emergent View/ exhibition catalogue
>Emergent View
>Fire Station Project
>Paper Landscapes/ exhibition catalogue
>Paper Landscapes
>Backgrounds
>Studies for Raeburn
>The Melancholy Thistle and Other Works
>Dance Everyday Dance
>Two
>Dances for Landseer
>an Magazine
>MAP #2
>she was still dancing
Writing
>Catterline in Focus>Weaving Two Views
>Lines Lost
>No Foreign Land